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January 5th, 2010 14:49 Accustic Arts Drive II and Tube-DAC II reference CD Player
For those of you unfamiliar with Accustic Arts, they are a based in the town of Lauffen am Neckar on the outskirts of Stuttgart, Germany. With a back ground designing products for the studio market they started producing hifi equipment about 15 years ago. The name Accustic Arts is and abbreviated version of ACCUrate acouSTIC ARTS no less! Producing a wide range of exotic equipment the Drive 11 / tube dac 11 is their current state of the art reference series cd player. They have taken the rather unusual but not totally unique path of combining the latest digital dsp processing technology with thermionic valves, in this case ECC83s located in the analogue filter stage of the DAC. The drive is a top loader based around the hi-end manufacturers favourite, the renowned cdPro2LF cd module. This differs quite dramatically from the normal draw loading mech found on the vast majority of players, its most significant difference being it utilises a heavy die-cast metal frame with mechanical decoupling instead of the normal plastic or pressed metal chassis. This has excellent damping characteristics and simultaneously offers high stability and rigidity. Fairly par for the course so far. The really interesting things start happening when we get round to the tube hybrid dac. Here they combine very elaborate, digital signal processing with thermionic valves to give; they say extraordinary precision and musicality. They go to great lengths to tell you that this is not an up sampled dac but instead uses over sampling and dsp to product what is claimed to be true 32 bit signals.
The heart of the dac is the 32 bit digital filter and 26 parallel operating processors, which redefine the word as a 32 bit signal this is then processed by individual dacs for each channel. An oversampled player like an upsampler uses a higher sampling frequency but in this case it is a multiple of the original 44.1Khz (352.8Khz for 8 times oversampling as apposed to say 192Khz that most people use for upsampling.) What this is not doing is up converting the signal at this stage to a high bit rate. Where an upsampler increases its accuracy by decreasing the scan times and up converting the word to normally 24 bit an oversampler is in reality still processing at 44.1 KHz but is taking multiple samples in the same time frame and outputting the mean average so cutting down on error rate as a result. Both of these systems push the digital noise further from the audio band so mean less harsh filters can be used. In this case it is a Burrbrown OPA627 opamp followed by the ECC83 for each channel.
Aesthetically the player is a mixed bag. You can see the superb engineering and quality of materials used in the construction but with the big bling chrome knobs on the front it is a bit brash for me, but hey that’s down to personal choice. Most people who have seen it when visiting have loved it. I also feel that although the loading cover looks impressive it is a little agricultural in its operation and does not have that silky smooth action I would expect at this price point. There is great attention to detail in the build and choice of components used with the obvious philosophy of nothing but the best being very evident.
There is a beautiful sense of fluidity with the player, lucidity and sweetness that is missing from all but a handful of cd players. Gone is the clinical sterility that can plague the medium in general including the vast majority of ‘hi-end players’ This combination really does get the to heart of the performance, its ability to convey the music in a natural analogue fashion combined with the transparency, clarity and dynamics you expect from the best digital source is astonishing. You are drawn into the music and find yourself simply enjoying the experience and performance. It has the ability to perform well across all genres of music, coping admirably with the dynamic swings of full scale orchestral work as well as the fast rhythmical beats of modern synthesised tracks and the raw energy of rock. If your ideal player is one that ekes out every last detail and ruthlessly exposes every aspect of the performance this is not a player for you. The detail is there but it does not jump out at you. The imaging and scale are impressive but not at the holographic levels presented by some of the players in the stratosphere of hifi exotica that this resides in. The bass is well extended and articulate; vocals are expressive and tonally very natural sounding. It seems silly talking about a player costing £14000 getting back to basics but that is exactly what this does, it gets back to the core, the fundamental reason for having a hifi in the first place, the music. There is such an inherent sense of rightness about the player, the timing is metronomic, the subtleties and nuances of the music come through beautifully it just sounds right. there are players out there that will sound more impressive, that will give you greater scale and authority and that will give you pin point accuracy when it comes to imaging, but I am yet to hear one that is as musical, as natural or has the ability to put a smile on my face and draw me into the performance. The player is amazing adept at conveying the delicacy and subtleties of the harmonic structure of the music. Its ability to convey the texture and emotion of the music is breath taking.
When I think of a product being made in Germany there are immediately a number of clichés that come into my mind. It will be superbly engineered, very well made, efficient, the player is all of these and more, it is natural, musical, subtle, and beautifully posed, what is it not is clinical, sterile and humourless, it is a fun engaging player to live with. . To a lot of people the words natural, musical and CD player do not fit comfortably together they need to hear this combo it will blow their mind!
AccusticArts

 
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